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 Faculty of Fine Arts - gsf@gelisim.edu.tr

Gastronomy And Culinary Arts








 The Alchemy of Words and Flavor: How Literature Transforms Our Plates (Part 1)


The article by Assoc. Prof. Murat Doğan, Vice Dean of the Faculty of Fine Arts (FFA) and faculty member of the Department of Gastronomy and Culinary Arts at Istanbul Gelisim University (IGU), has been published in the Hotel Restaurant & Hi-Tech Journal. The article appeared in the October issue of the magazine under the title “The Alchemy of Words and Flavor: How Literature Transforms Our Plates (Part 1)” The text of the article is provided below.


Imagine biting into a perfectly described baklava in a novel—the crispness of the phyllo, the creaminess of the butter, the drip of syrup... You haven’t touched a real dessert, yet your mouth waters, doesn’t it? This is the magic of gastronomic literature: it turns ink into flavor, sentences into food.

Food is our most basic need—but when it meets literature, it transcends biology. It becomes culture, memory, rebellion, and desire. Writing does more than describe meals; it reimagines them, turning the simple act of eating into a deep, multisensory, and profoundly human experience.

The Heart of the Feast: Cultural Storytelling

Gastronomy is a living archive of a people. Every dish carries their history, values, joys, and traumas. Literature is its most powerful storyteller. As Terry Eagleton once said, “Like language, food is trapped between nature and culture.” Both are tools of survival and expression.

A novel can depict social class without preaching. For example, Virginia Woolf’s Mrs. Dalloway masterfully conveys postwar London’s complex hierarchies and hidden anxieties through the preparation and consumption of a dinner. Franz Kafka’s A Hunger Artist, on the other hand, critiques a society that commodifies pain and spectacle through the act of refusing to eat. In literature, food is never just nourishment; it is a symbol, a weapon, a lover, a ghost.

The Power of the Palate: Sensory Imagination

The brilliance of gastronomic literature lies in its ability to activate our senses through imagination. A skilled writer doesn’t simply describe the taste of a soup—they make you feel its steam on your face, hear its simmering, and sense the spices blooming in flavor. Here, “imagery” becomes the writer’s most potent ingredient.

When a children’s book humorously portrays a “disgusting” vegetable, or a romance novel makes the act of sharing a single strawberry feel more intimate than a kiss—literature awakens our “seventh sense”: the emotional and mnemonic bond tied to taste. The description of a grandmother’s stew can transport readers across continents, stirring deep nostalgia. Even if traditional recipes vanish from kitchens, they remain alive on the pages of books.

(To be continued next month: In Part 2, “Laughter, Tears, and Taboos: Food as a Mirror of Society,” we will explore how literature uses food to critique society and reflect our collective truths.)

Assoc. Prof.  Murat Doğan